Showing posts with label Dick Frizzell. Show all posts
Showing posts with label Dick Frizzell. Show all posts

Dick Frizzell homage to Colin McCahon in new print

Dick Frizzell makes his latest print
In Colin Compared, Dick Frizzell comes up with a modern twist on Colin McCahon's Virgin Compared painting to pay tribute to this famous NZ artist and to say thank you to Peter Simpson for his wonderful McCahon book released in March 2020 (Colin McCahon 1 : There is Only One Direction, Vol. I 1919-1959).  In the period between 1946 and 1948, McCahon turned from depicting landscapes to Christian imagery. By synthesising disparate elements - portraiture, still life and symbolism (for instance the lamp and jug) with words McCahon emphasised that his works had a message.
Dick Frizzell's homage to Colin McCahon "Colin Compared"
Dick Frizzell's print "Colin Compared"

Dick told me in an email:

"I did a little gouache portrait of Colin for Peter Simpson to thank him for his brilliant McCahon book. i was inspired by the Theo Schoon photo of Colin on the verandah next to his fabulous painting of the Virgin Mary compared to a jug of pure water etc (one of my favourites).

Then i thought… I reckon that that’d make a great print!"

It’s meant to reflect that painting…of the virgin etc hence the close, dark colour scheme sp in the skin tones! Old school!!

May not be everybody’s cup of tea… but getting some good feedback up here!"



I have always liked the way that the Hocken library published prints of the McCahon painting popped up in the background of photographs of NZ writers and artists at home during the 1970s and 80s. A leitmotif of the era when a more confident NZ identity was emerging.

Here is video I found of Dick talking about the impact of McCahon's work a few years back, in it he calls McCahon's paintings "Hypnotic" and the artist gave him, "Something to think about forever".

You can now buy the "Colin Compared" limited edition print by Dick Frizzell delivered direct from New Zealand Fine Prints.  It will be lovely to see these prints in the background of another generation of New Zealander's dust jacket photographs!




Dick Frizzell Recipe Prints


Lisa's Afghans
Hot Buttered

From 2007 to 2009 Dick Frizzell created a series of screenprints based on the Frizzell family's favourite recipes. These silkscreen limited editions sold, ahem, like hot cakes, and several years later we were still being asked for "Coco's Pikelets" and especially "Lisa's Afghans".  Although the limited editions are long sold out Dick has made open edition (and unsigned) reproduction prints of the original artworks that he holds in his personal collection.  These are very well priced at just $NZ49.95 per print unframed.
Coco's Pikelets

Although this series is nearly a decade old Dick's stark colour palette cleverly anticipated the black and white revival in interior design today.  The recipe series distinctively "Frizzellian" handwriting and the fact that he used kiwi favourite foods (and the recipes actually work) make these prints perfect for kiwi kitchens, and we are delighted to list three new prints from Dick Frizzell's recipe series in our culinary prints and posters collection - food & drink this afternoon.

Tiki: More than decor - a symbol

We believe there is now emerging a deeper meaning to New Zealanders buying prints of symbols like tiki and koru than just a superficial decor trend.   This article is a call to critically examine a casual dismissal of the extensive use of the tiki motif in particular as just another (temporary) phase of a wider kiwiana trend in NZ art prints that will pass.

More than just a decorative piece a tiki print first and foremost represents an ongoing connection to Aotearoa/New Zealand.  When a tiki is given as a present it's often a deeply meaningful gift that symbolises a connection with NZ and/or the person or people who gift the artwork, in essence a tiki has grown to mean friendship and connectedness with a uniquely NZ slant.

Picasso Tiki by Lester Hall
Tiki are now a symbol that is accessible to - and understood by - nearly all New Zealanders and this recognition extends to people who may have a passing acquaintance with NZ, may live in another country etc but to whom this idea of the tiki's meaning still makes sense.  It's becoming clear to us that for New Zealanders today tiki are not being purchased just to decorate in the supremely superficial manner like the kitch decor of an American tiki bar that is practically divorced from all meaningful connection with its Polynesian origins beyond the historic accident filtered through the decades.

Tiki in pre-colonial Maori culture

Whether as a memorial to the ancestors or associated with fertility and childbirth tiki were undoubted connected with the sacred, the spiritual and a sense of connection to place or people by Maori. Unlike other Polynesian cultures where tiki were predominantly carved wooden objects in Aoteaora the pendant known as the Hei-Tiki is the most well-known expression of the tiki form.

Tiki in NZ Art

Tikis were first re-worked in a fine art context by Dick Frizzell in his response to the debate around cultural appropriation in the 1990s and are now part of our collective cultural identity. The evidence that a tiki is now more than just a decorative motif is also that despite the ongoing popularity of Tiki prints as a genre they simply not becoming stale or boring because the idea of the tiki continues to evolve and deepen as successive artists re-mix, re-invent an re-interpret the tiki shape and form. Whether referencing pop art, Aboriginal art, Picasso (see Lester Hall's latest print above left) and even Dick Frizzell himself in wonderfully circular fashion in "Tiki to Diki" - or used as an anthropomorphic symbol of Maori ancestry in the prints of Shane Hansen such as this one below.

Shane Hansen Print "Boy and Friendy"
As non-Maori New Zealander's are now becoming a distinct culture,  often referred to as Pakeha or even as "white Polynesian" this also means we are becoming more likely to unselfconsciously give the gift of a tiki or a koru (a symbol of renewal or new life) than, for instance, to reach for a religious artwork such as Durer's Praying Hands which would have held a similar sense of shared meaning in an earlier more religious time.

When a friend or work colleague returns to their home country after time spent in New Zealand colleagues and friends send them home with a picture of a tiki,  not just to remind them about their time here, or to celebrate our unique Maori culture - but most importantly as a symbol of the recipient's special connection that they will always have with New Zealand.  We also send tikis to New Zealanders overseas to remind them of their connection to home instead of the more obvious picturesque views of their favourite landmarks.  Mickey to Tiki may be easily the most well-known tiki print, regularly delivered by us as a gift for weddings, birthdays and Christmas for a decade now - but we believe there has been more to its popularity as a gift than it just being chosen because it was a safe choice as NZ's most popular print over this time.   Given the messages included with the print we know there is usually this kind of underlying heartfelt and sincere meaning behind the gift of this most famous of all artworks featuring a tiki.

There is now an ongoing place for tiki as "more than just decoration", it is not just a decor trend because this greater idea of the tiki is now part of the NZ identity.  This deeper wellspring of meaning means artists will continue to find ways to drive the idea of the tiki into new and unexpected directions (so much so we have now even created a permanent tiki prints collection). But just as there is a difference between a plastic tiki and a hand carved tiki we think there is a distinction between a watered down version that verges on cultural appropriation to a sincere reworking of what has become a cultural icon for both Maori and non-Maori New Zealanders.

New Zealand artists & the future of the Tiki

And considering tiki are a Pacific wide icon it is exciting to see that tiki art from NZ are clearly now
Drippy Tiki by Greg Straight
the best tiki artwork available because thanks to artists like Dick Frizzell we have taken an indigenous motif and taken it further to imbue it with even more meaning and resonance when you see it on the wall!  Not taken an indigenous icon out of context (as a decoration for a tiki themed bar for instance) but to be an emblem of our NZness with deeper meanings beyond the visual representation on the wall.

Mickey to Tiki is accessible to non New Zealanders not just because Mickey is so recognisable but also because the tiki is increasingly well known outside of the Pacific.  And New Zealand artists are leading this growth in popular consciousness because they are evolving the tiki from an emblem of an historical culture - without sacrificing its meaning - into a fresh and contemporary form that incorporates and includes while (with a few grating exceptions) still respecting and paying homage to the underlying symbolism of the hei-tiki in Maori culture.

Sam Hunt's poem “Beware The Man” Painted by Dick Frizzell

One of many new prints in the latest series of reproductions of paintings and editions by Dick Frizzell “Beware the Man” is an unusual collaboration with the popular NZ poet Sam Hunt. Hunt’s poem was written over 40 years ago (you can listen to Hunt recite the poem in a concert with NZ rock band "Mammal" here on YouTube), the words have changed a little over time if you listen carefully and compare it to the text in Frizzell's 2011 painting.

In appearance the painting is similar to the work of Colin McCahon but with a secular rather than religious theme.  Dick says the idea behind the painting came about when three years ago "an advertising agency had the bright idea of getting me to paint a Sam Hunt poem for a campaign they were working on. The advertisement never happened but by then Sam and I were away on our own trajectory. "Beware the Man" is one of Sam's most popular poems. I modelled the lettering and the colours on a 'Trespassers Beware' sign I photographed up in Northland. The bits of red reflector tape around the edges seemed to add an appropriate drama to the poem's message!".

Sam Hunt’s “Beware the Man” by Dick Frizzell
Beware the Man. Poem by Sam Hunt, painted by Dick Frizzell.
Released as a print today (available for sale here), printed using the giclee process for dense blacks and extremely long life colour.

Mickey to Tiki now available in two new sizes

Dick Frizzell with Mickey to Tiki
(Image via NZ Herald Photo: Greg Bowker)
With the closure of the Christchurch Art Gallery shop for at least two years the art gallery has given the exclusive right to reproduce several prints from their collection to Christchurch publisher Image Vault for the next three years.

This includes the right to reproduce NZ's top selling print of the last few years, Dick Frizzell's "Mickey to Tiki Tu Meke" (the story behind how this print originally came to be in the collection of Christchurch Art Gallery is here).  Because of this new arrangement we are now able to offer Mickey to Tiki in two new smaller sizes at lower price points (265 x 400mm at $49.50 and 365 x 550mm at $77.50).  Prints in the original size (735 x 480mm) are still available but we are not sure for how long at this stage.


Black & White Editions from Dick Frizzell

Mince
Domestic Bliss
7 Minutes
In 2011 Dick Frizzell completed a series of black and white prints celebrating the every day domestic objects that you can find in a typical kiwi home.  These are very similar in style to Frizzell's first experiments with fine art printmaking, at Paul Hartigan's Snake Studio off Queen St in the late 1970s. As Frizzell explains about these early forays into printmaking "I still had a roll of clear acetate from the animation days and used it to make my separations. Black enamel paint brushed directly onto the plastic gave a lot of painterly control." It wasn't until almost two decades later than Dick returned to screenprinting (many of his editions during the 1980s and 1990s were lithographs) working with Don Tee of Artrite studios.  We have in stock good numbers of these editions as due to the disruption following the Christchurch earthquakes we have had these prints stored in drawers waiting to be catalogued for over a year.

Lady Diana Isaac & her role in making Mickey to Tiki by Dick Frizzell NZ's most popular print ever

The recent death of Christchurch businesswoman and philanthropist Lady Diana Isaac was acknowledged by New Zealand's prime minister, John Key, who said “Lady Diana’s contribution to Canterbury and New Zealand was truly remarkable. From her early philanthropic work with her late husband Neil, right up until the time of her death, she was an outstanding champion for Canterbury, the arts and conservation”.

Mickey to Tiki by Dick Frizzell (original 1997 lithograph)
What wasn't mentioned in the many tributes was Lady Isaac's pivotal but little known role in the remarkable success of NZ's top selling print of all time, Mickey to Tiki Tu Meke by Dick Frizzell. The original Mickey to Tiki lithograph was printed by Dick in an edition of 50 on the 8th of October 1997.  Lady Isaac purchased number 5 of the edition and in 1998 she presented this print to the Christchurch Art Gallery.  It was Lady Isaac's print that was reproduced as a photolithograph (controversially including the 5/50 in pencil below the image that was to cause so much confusion initially about whether the reproduction was an original print or not).  Mickey to Tiki has been exhibited continuously at the gallery since Lady Isaac's presentation of the print to the gallery, most recently what has become Frizzell's most famous artwork featured in the "I see red" show at Christchurch Art Gallery and toured as part of an exhibition of the same name to other NZ galleries in 2009.

Tiki to Diki by Shane Hansen
The Mickey to Tiki image has become part of NZ's visual culture, it is widely studied at schools across NZ and is regularly referenced in artworks by other New Zealand artists such as in Shane Hansen's Tiki to Diki (shown here) and Lester Hall's Tiki Mouse.  Frizzell himself has re-visited his 1997 lithograph with his screenprint "Mickey to Tiki (Reversed)" which is half way through the edition already as we head into Xmas.

As the prime minister said in his statement “Lady Isaac was also a huge patron of the arts...her decades of philanthropy will be enjoyed for generations to come", and we'd like to say how much we appreciate her role in what has become New Zealand's top-selling print.

The Fishbomb Prints - Frizzell & Son street art collaboration

Just when you thought you had finally untangled NZ artists known as Frizzell (see our helpful Frizzell disambiguation article) along came Dick and Otis' street art collaboration, the so called "Fishbomb" series they painted under the moniker "Frizzell & Son".  This intergeneration collaboration between Dick "the godfather of NZ pop art" (as he was bemused to be introduced as on TVNZ's Good Morning progamme recently) and Otis, one of NZ's best known street artists, came about on the occasion of the recent Blockbusters exhibition held at Saatchi & Saatchi Gallery in Auckland.


Courtesy of The Area you can watch the creation of this series of graffiti style paintings in the above video of Dick & Otis Frizzell painting at The Area April 29th 2012.

There are four 'fish bomb"prints available, editions of 50 with the Frizzell & Son logo beneath the image. Signed by both artists and numbered by hand. They feature in our growing collection of street art at NZ Fine Prints.
Kahawai Graffiti style painting by Frizzell & Son (Otis & Dick Frizzell) - limited edition prints now available here


Blockbusters Exhibition: Promotional screenprint signed by Dick & Otis Frizzell + Mike Weston

Frizzell Blockbusters Exhibition Poster
A promotional screenprint has been released for the "Blockbusters" exhibition of new work from Frizzell and Son (Dick and Otis Frizzell) and Weston Frizzell (Otis Frizzell and Mike Weston in collaboration).

In the vocabulary of graffiti art the term Blockbuster refers to a piece where one word occupies the entire wall. The outlined text is predominantly defined by the blacking out of the gaps and negative space. Parasitic of the underlying work, a BLOCKBUSTER envelopes and consumes the surface.

A Blockbuster is also the biggest thing of the summer, the thing everyone has to see.

The Blockbusters screen print is large (A1 size) numbered and signed by Dick Frizzell, Otis Frizzell and Mike Weston.

Just $100 each, edition of 100 - available here (for a very limited time!).

Unravelling NZ artists called Frizzell

Dick Frizzell
Today we are going to help our readers differentiate their Frizzells! Confusion often arises about NZ artists carrrying the Frizzell name.  For instance because we stock all three different strands of Frizzell art prints at NZ Fine Prints we get asked questions like "Is Weston Frizzell the brother of Dick or Otis?".  Which is perfectly logical but not quite right!  

Here is the explanation. Dick Frizzell (1943 -       ) - shown here standing in front of some of his recent paintings (in what we suspect is also his favourite black and white striped top) has been one of NZ's most high profile and popular contemporary artists since the 1970s.  He continues to produce paintings and prints as well as recently designing artwork for The Great NZ Songbook project and even the 2011 Rugby World Cup to be held in NZ.

Otis Frizzell
Dick's son, Otis Frizzell (1971 -      ) - shown at right,  is now also a respected artist in his own right. Otis found his feet artistically with more than 20 years experience as a graffiti artist and has recently been producing some of NZ's most exciting contemporary prints - such as his tiki series - but many of Otis' prints are produced in collaboration with Mike Weston under the moniker "Weston Frizzell".

Weston Frizzell
Weston Frizzell (shown at left is a recent publicity shot of Mike & Otis with the official Weston Frizzell rubber stamp that appears on all their studio's work) is a collaborative pop art style studio whose slick work and tight production values have resulted in some of NZ's fastest selling print editions - buyers have snapped up entire editions such as "Tututables" in record time.  Like Otis Mike Weston occasionally completes  solo art projects that are not under the Weston Frizzell studio.

NZ Prints Video - New Zealand's Top Selling Art Prints in 2009

We have just created a short (1 minute) video celebrating NZ's top selling art prints by New Zealand artists in 2009.  Showcases the artwork of NZ painters and printmakers like Dick Frizzell, Ralph Hotere, Rita Angus, Bill Hammond, Grahame Sydney, Diana Adams and C.F Goldie.  Find out what was New Zealand's most popular print in 2009!

Four Square Man Returns in Dick Frizzell's Great New Zealand Songbook Prints

Original artwork by Dick Frizzell was commissioned for the critically acclaimed Great New Zealand Songbook project and we are delighted to have all four of these very special limited edition Dick Frizzell prints in stock this morning.


The Great New Zealand Songbook is a 100 page hardcover journal featuring handwritten lyrics, photos and memorabilia from famous New Zealand musicians like Dave Dobbyn, Bic Runga and Anika Moa.

These prints (Give it A Whirl, Rock On, Four Four Time (shown here at right) and Side A, Side B) have been nicknamed the "Charlie" series after the supposed real name of the "Four Square Man" character that appears in the artwork especially commissioned from Dick Frizzell by boutique Auckland music company Thom Music for the Great New Zealand Songbook.

Mr Four Square has been a recurring motif in Frizzell's paintings and prints and this time he uniquely re-appears with a guitar slung around his neck.

According to Icon Images, the official licensee of the vintage Mr Four Square logo and image from Four Square store's parent company Foodstuffs (Auckland) Limited Mr Four Square "is the famous smiling logo for the Four Square stores that have conveniently served the local communities and towns around New Zealand for the past 81 years.  Locals, visitors, overseas tourists and especially kids all love our very friendly Mr Four Square."  They go on to write about the origins of the Four Square name, which emerged nearly 90 years ago when "J. Heaton Barker, the founder of Foodstuffs, called together members of the Auckland Master Grocers Association to discuss the formation of a co-operative buying group of independent grocers.  The aim was to counter the activities of grocery chain stores who were making life very difficult for independent grocers.  The name Four Square emerged when Mr Barker, while talking on the phone, drew a square around the 4 of the date on his calendar.  He immediately realised he had a suitable name for the buying group, stating that "they would stand 'Four Square' to all the winds that blew"."

It was not until the 1950s that anonymous staffers in the Foodstuffs advertising department designed the now famous Four Square man (or Mr Four Square to give him his proper title) - an attribution that is often erroneously given to Dick Frizzell who had simply appropriated the Four Square store's logo in prints such as True Colours and Four Square Man.

Please place your order promptly for these handmade Frizzell limited edition prints as they are sure to sell out very speedily - in particular nearly all of the prints in the edition of Four Four Time were gifted to the musicians who participated in the Great NZ Songbook project so only a very few of these prints are actually available to print collectors outside of this very select group of New Zealanders.

New Prints in Stock Today

After our busiest ever Xmas I have finally got some cataloging time to process some of the dozens of new prints that have arrived at our warehouse over the past few weeks.  It has been all hands to the deck to get prints shipped around New Zealand and the world in time for Christmas day.

Summary of new prints added today.

Dick Frizzell's book inspires new print

A new Dick Frizzell print arrived this morning.  It is a collaborative work with Fane Flaws called "Cover Art".  It celebrates the fact that well known artist and designer (and good friend of Frizzell) Flaws worked on the design for Dick's new book "Dick Frizzell: The Painter".

We are really looking forward to buying our office copy of "Dick Frizzell: The Painter" as soon as it is released on October 2 2009.  From the publisher's blurb it promises to be a great read:

"Dick Frizzell's images populate our world - you find them on t-shirts, on TV ads, in shop windows, on wine bottles, on cushions and t-towels, and in art shows. People appropriate (or borrow) his images in much the same way that he too appropriated many of the images he has painted over the years. He's reached iconic status in NZ - we love him, he's one of our own. As Dick himself says with a surprised chuckle, "I'm just like the Topp Twins now - I can do no wrong, they all love me!"

Dick has a great story: After going to art school he found himself in his 20s married and with a young family to support. He worked in advertising until 1974, when his artistic urges made him leave the ad agency to take up working in the vege markets in the early hours of the day so that he could pursue his art.

His paintings combined the pragmatics of an adman's need for a compelling motif with the visceral pleasures of expressive modernist paintings. His first images of gaudy fish-tin labels and comic strip characters caught everyone's imaginations. Dick's talent, energy and his deadpan humour meant that his art was highly successful.

Dick Frizzell: The Painter contains all of his major paintings, the story of his life in his own thoughtful and highly articulate words, and an essay by Hamish Keith on Dick's work and its place in the New Zealand art world."

We'll post a review as soon as we get our hands on a copy!

Pindrop Foundation Prints



The Art of Hearing is a fundraising opportunity for the Pindrop Foundation, the non-profit, public face of the Northern Cochlear Implant Trust that governs the implant programme. Their focus is to raise public awareness about the technology available and to provide people access to implants as a matter of right, ensuring that those in need receive one in a timely manner. New Zealand Fine Prints are pleased to assist the Art of Hearing initiative through the sale of prints produced for the Pindrop Foundation from leading New Zealand artists.

These original prints are from some of the biggest names in contemporary New Zealand art - Dick Frizzell, Shane Cotton, John Pule, Jacqueline Fahey, Judy Millar, Robert Ellis, Denys Watkins and emerging artists like Kate Small and Sarah Hughes.

Pictured are "The Clang is the Proof of the Bell" by Dick Frizzell and "Broken Water" by Shane Cotton.